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Bex Day is a photographer and director from London.
After working as a photo assistant for Ryan McGinley during her time in New York, Day returned to London to become photo editor of PYLOT Magazine, an all-analogue fashion and arts publication with an ethos for zero beauty retouching. This laid the foundation for her own practice, which focuses predominantly on the themes of gender, identity, diversity and freedom of choice.
In what ways does nature inspire or inform your work?
Nature was my sanctuary during a difficult childhood—an escape into something larger, quieter, and more profound. It now forms the soul of my photography, where I weave together surrealism and natural beauty. The shifting colors of the seasons speak to me in a language of emotion and transformation, endlessly inspiring. My debut photography book is a visual exploration of nature and feminism, both of which lie at the heart of my aesthetic and creative identity.
What does it mean to you to be part of a thriving ecosystem?
As a photographer, I see my practice as part of a thriving creative ecosystem—one shaped by connection, exchange, and collective transformation. Nature has always been a source of refuge and imagination for me, and it continues to ground my work in both aesthetic and conceptual ways. Through my lens, I explore themes of identity, gender, and the deconstruction of rigid beauty standards, often blending surrealism with organic elements to challenge conventional narratives.
My work is deeply informed by seasonal landscapes and their emotional resonance. I use color, texture, and symbolism to create images that not only reflect my personal journey but also invite broader conversations about representation and selfhood. In this shared artistic space, I aim to contribute to a more inclusive and expansive visual culture—one that celebrates fluidity, multiplicity, and the power of reimagining beauty on our own terms.
